Sonic Acts XII - the Cinematic Experience is a festival/conference, taking place in Amsterdam from 21-24 of february 2008. Besides a conference, screenings, performances and an exhibition they’ll have a publication which has an interview with me in it! It discusses how the Internet changes the cinematic experience both in terms of distribtion and artist’s production experiences. You can order the publication here.
On the occasion of the twelfth Sonic Acts festival, Boris Debackere and Arie Altena edited a multi-faceted book with nine essays and ten interviews dealing with various aspects of the cinematic experience. The book focuses as much on theories of the cinematic experience, as it does on the practice of artists working in the fields of cinema, contemporary media art and sound. It shows how artists develop their work and theories on the cinematic experience, using different technologies and materials, and offers a many-sided theoretical journey into the history, present and future of the magic we call cinema.
A new article for the german print magazine PAGE (issue 01/08).
I presented some projects which remix user generated content as a data resource for creative projects and by this create new web aethetics.
Brussels based ARGOS centre for Media and Art organized a conference on VIDEO VORTEX: Responses to YouTube. I was invited and held a talk on “The Artist Moving through the Web - new forms of Artists’ production and distribution on the Internet.”
It was a very inspiring conference!
Thanks to Stoffel, Maria, Adre, Bram and the whole team at ARGOS for the wonderful weekend!
“Over the past years the moving image has claimed an increasingly prominent place on the internet. Thanks to a wide range of technologies and web applications it has become possible, not only to record and distribute video, but to edit and remix it on-line as well. With this world of possibilities within reach of a multitude of social actors, the potential of video as a personal means of expression has arrived at a totally new dimension. How is this potential being used? How do artists and activists react to the popularity of YouTube and other ‘user-generated-content’ websites? What is the impact of the availability of massive on-line images and sound databases on aesthetics and narrativity? How is Cinema, as an art form and experience, influenced by the development of widely spreading internet practices? What does YouTube tell us about the state of art in visual culture? And how does the participation culture of video-sharing and vlogging reach some degree of autonomy and diversity, escaping the laws of the mass media and the strong grip of media conglomerates?”
Speakers are JOHAN GRIMONPREZ, PETER HORVATH, LEV MANOVICH, ANA KRONSCHNABL & TOMAS RAWLINGS, ADRIAN MILES, SIMON RUSCHMEYER, KEITH SANBORN, PETER WESTENBERG.
I wrote an article for the german print magazine PAGE (issue 10/07) on the influence of the web on movie distribution and marketing.
The article orginates from Four Eyed Monsters, the first full feature film on YouTube and, and broades the perspective to a general discussion om internet marketing and distribution for former cinema releases.
I was invited to the OFFF Festival for Post Digital Creation Culture 2006 in Barcelona, Spain, to show my short Film Palindrome in their 6th annual Competition. OFFF is an amzing festival with loads of great speakers, a very nice venue (in a very nice city) and a great atmosphere. This year it was also hold in Ney York and in 2008 the festival is moving to Lisboa.
Thanks to Fred for hosting me and to Sergi for taking care while the festival.
My short film Cave of Memories was chosen for the Berlinale Talent Campus 2005.
The Campus is a workshop for 500 aspiring filmmakers from all over the world, which takes place during the Berlinale International Film Festival in Berlin. The Campus was an amazing experience, 5 days of talks, discussions and screenings. Moreover, it’s is an extraordinary oppurtunity to meet other filmmakers and get in touch with the industry.
My foot on the red carpet :-)